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الأحد، 30 أغسطس 2015

Wes Craven 1939-2015

Wes Craven 1939-2015

Horror maestro dies aged 76

Wes-Craven-Obit

Wes Craven, the man who brought the world Freddy Krueger, the Scream films and so much more in the pantheon of horror and beyond, has died at the age of 76.

Born in Cleveland, Ohio, Craven’s initial career after college was in academia, teaching English at Westminster College in Pennsylvania and humanities at Clarkson College of Technology, in Potsdam, New York. But after working as a sound editor in a post-production company in Manhattan, he was lured away by a seemingly more lucrative career in the pornographic film industry, where he worked as a writer and editor of various films using several pseudonyms, including Abe Snake.

He shifted his focus to the horror genre with a chance to direct something people would readily have admit to watching, though it was the controversial 1972 rape-revenge drama The Last House On The Left. With that success – it earned $3 million on an $87,000 budget – his film career was off and running and he went on to direct the likes of Deadly Blessing, The Hills Have Eyes and 1982’s Swamp Thing. But the biggest impact he would have on the genre and filmmaking in general came with 1984’s A Nightmare On Elm Street, which introduced the razor-gloved Freddy Krueger to the world. While he wasn’t involved with most of the sequels, he did write the third and came back for 1994’s New Nightmare, which put a post-modern spin on the idea. The meta theme continued with 1996’s Scream, which saw Craven directing Kevin Williamson’s script. The film was a big success and spawned a further three movies. 

He didn’t often stray outside of genre, though he did experiment, with such films as 1999’s Music Of The Heart, which starred Meryl Streep. Still, he seemed content to be a writer, director, occasional actor and inspiration for the horror genre, with several of his movies remade and Scream generating a current TV series.

“I can see that I give my audience something,” he once told fellow filmmaker Mick Garris in an interview. “I can see it in their eyes, and they say thank you a lot. You realize you are doing something that means something to people. So shut up and get back to work.” 

The family’s official statement runs thus: “It is with deep sadness we inform you that Wes Craven passed away at 1PM on Sunday, August 30 after battling brain cancer.   He was 76 years old.  Craven was surrounded by love, in the presence of his family at his Los Angeles home. Craven is survived by his wife, producer and former Disney Studios Vice President Iya Labunka, older sister Carol Buhrow, son Jonathan Craven with wife Rachel Craven and their two sons Miles and Max; daughter Jessica Craven with husband Mike Wodkowski and their daughter Myra-Jean Wodkowski; and Wes’ stepdaughter Nina Tarnawksy.”












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NCIS: LA Mega Buzz: Will Callen Finally Learn the Truth About His Family?

Chris O'Donnell, NCIS: LA | Photo Credits: Cliff Lipson, CBS

Will this be the year that Callen (Chris O'Donnell) finally learns the truth about his family on NCIS: Los Angeles? And if so, what price will he have to pay?

Season 7 kicks off with a small time jump, picking up three months after the end of Season 6, when viewers learned that Callen's presumed-dead

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Box Office: Faith-Based War Room Nearly Tops Straight Outta Compton

Straight Outta Compton | Photo Credits: Universal Pictures

Despite receiving nearly universal bad reviews from critics, the faith-based film War Room emerged as a formidable force at the box office this weekend and almost knocked Straight Outta Compton out of first place.

War Room did top Compton on Friday, but the final weekend totals were $13.2 million for

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Straight Outta Compton Spends Third Week Atop US Box Office

Straight Outta Compton Spends Third Week Atop US Box Office

We Are Your Friends is billy no-mates

Straight-Outta-Compton-Third-Weekend-Atop-US-Box-Office

Despite some seemingly strong faith-based competition from War Room, the N.W.A. biopic Straight Outta Compton triumphed for a third weekend in a row at the US box office, becoming the highest-grossing musical biopic ever in the process, according to studio estimates.

The film took in $13.2 million this weekend, boosting its US total to $134.1 million. And with a strong opening in a few worldwide markets (including here in the UK), the movie has now passed $140 million globally. War Room, which was produced by Sony’s faith-focused Affirm Films, appeared to have support from a Christian crowd, as it topped the box office Friday and walked away with an A+ CinemaScore. But it couldn’t hold up against Compton’s Saturday surge and had to settle for second place with $11 million. It’s more evidence that reviews don’t seem to affect movies like this much – War Room was greeted with scathing notices from critics. 

Third was Mission: Impossible – Rogue Nation, which continues to hold well, earning $8.3 million this weekend for a $170.3 million American total. It saw off action drama No Escape, with Owen Wilson and Lake Bell as parents trying to escape a coup in an unnamed Asian country with their kids. It earned $8.2 million across the three days. Sinister 2 rounded off the top five with $4.6 million.

The Man From U.N.C.L.E. slid one place to sixth with $4.4 million, while Hitman: Agent 47 dropped from fourth to seventh on $3.8 million. The Gift fell a place and landed eighth with $3.13 million, while Jurassic World stayed firm at ninth and added $3.12 million to its impressive $643 million US haul, with its global total now standing at $1.63 billion.

In 10th we find Ant-Man with $3 million after seven weeks in the charts, with Marvel’s latest now standing at $169.1 million in the States. But we’d be remiss without mentioning Zac Efron DJ drama We Are Your Friends, which despite opening on 2,333 screens, tanked badly, opening outside the top 10 with a lacklustre $1.8 million.

To see Ice Cube win against the rest of the box office in the full listings charts, head to Box Office Mojo




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He Named Me Malala Trailer Online

He Named Me Malala Trailer Online

Fighting for education worldwide

Despite being just 18, Malala Yousafzai has already had such a wealth of life experience that it made sense someone would craft a documentary about her. That someone is An Inconvenient Truth’s Davis Guggenheim, and the new trailer for He Named Me Malala is online. Check it out below.  

At 15, Malala was targeted, along with her father, for advocating girls’ education. The Taliban in Pakistan shot her while she was travelling home on her school bus in the Swat Valley. Though critically injured, she survived to become a beacon of hope and strength, and continued her crusade. The attention from the attack led to her taking the campaign worldwide and co-founding the Malala Fund, which helps to spotlight girls’ education globally.

Guggenheim’s film offers a candid look at her life and the relationship with her father, the man who inspired her love for education. It chronicles not only big moments in her life – such as becoming a Nobel Peace Prize Laureate and speaking at the UN – but also her experiences at home with her brothers.

He Named Me Malala will arrive in UK cinemas on October 2. 












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Armie Hammer Finds Nocturnal Animals

Armie Hammer Finds Nocturnal Animals

He's joined Tom Ford's new film

Armie-Hammer-Nocturnal-Animals

With Amy Adams, Jake Gyllenhaal, Aaron Taylor-Johnson and Michael Shannon aboard, A Single Man’s Tom Ford is not finished gathering his cast for his second directorial effort, Nocturnal Animals. He now has Armie Hammer joining the roster

Ford based his script on Austin Wright’s 1993 novel Tony And Susan. Split into two chunks, one part of plot follows a woman (Adams), who receives a book manuscript and a note asking for her opinion on it, sent by her ex-husband, who she left 20 years before. In the other, Gyllenhaal plays a man whose family holiday turns violent.

Taylor-Johnson is aboard to play a mysterious man who may pose a threat to Gyllenhaal’s family, while Shannon will be the detective who investigates the incident. Hammer, meanwhile, will be Adams' current husband. 

Focus Features is backing the film, which Ford is looking to have on screens next year. Hammer is on screens now in The Man From U.N.C.L.E., and has worked on several movies including thriller Mine, period drama The Birth Of A Nation and Ben Wheatley’s latest, action thriller Free Fire. He’s also attached to Stanley Tucci’s next film as writer/director, Final Portrait




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Lionsgate Plans Borderlands Movie

Lionsgate Plans Borderlands Movie

The Gearbox Software game is headed into development

Borderlands-Game-adaptation

With the Hunger Games series coming to a close this year, Lionsgate has naturally been on the prowl for source material to find something that can fill its schedule with multiple movies. Game series Borderlands, with its massive player audience, would seem to be a good choice

Though video games don’t traditionally have the best luck on film, Lionsgate seems confident that Borderlands could be something different. Developed by Gearbox Software and published by Take-Two Interactive 2K Games subsidiary, the game series is a blend of first-person shooter and role-playing adventure offering the chance to play as one of four different characters, earning points for taking out various enemies on the planet Pandora, home to a wealth of mineral deposits, but also full of dangerous alien creatures. 

Borderlands has a reputation for violence and madness, and it appears the studio wants to stick to that mantra. "The Borderlands games don't pull any punches, and we'll make the movie with the same in-your-face attitude that has made the series a blockbuster mega-franchise," Lionsgate co-chairs Rob Friedman and Patrick Wachsberger said in a statement, with the film set to be produced by Spider-Man stalwarts Avid and Ari Arad.  

"Lionsgate really seems to get Borderlands," Gearbox’s Randy Pitchford said during a panel at PAX 2015 in Seattle. "And we're giving a mission to them, to make the first good movie based on a video game. And knowing Borderlands, it's probably going to be rated R." With development at an early stage, there’s no timeline yet for when the eventual film might arrive in cinemas. And, more importantly, will James Cameron try to nuke from orbit anyone who sets a movie on an celestial body called Pandora? 












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